{"id":11727,"date":"2022-06-06T16:55:50","date_gmt":"2022-06-06T16:55:50","guid":{"rendered":"https:\/\/javiermarin.com.mx\/?page_id=11727"},"modified":"2022-06-06T17:18:01","modified_gmt":"2022-06-06T17:18:01","slug":"essays","status":"publish","type":"page","link":"https:\/\/javiermarin.com.mx\/en\/essays\/","title":{"rendered":"Essays"},"content":{"rendered":"<style>.kb-posts-id-_857036-ac .kb-post-list-item{display:grid;}<\/style><ul class=\"wp-block-kadence-posts kb-posts kadence-posts-list kb-posts-id-_857036-ac content-wrap grid-cols kb-posts-style-unboxed grid-sm-col-2 grid-lg-col-3 item-image-style-above\"><li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--12735 entry--type-post entry--status-publish entry--author-enrique entry--format-standard content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/a-reflection-on-art-machine-and-thought\/\" rel=\"bookmark\">A reflection on art, machine, and thought<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>One of the conceptual driving forces Javier Mar&iacute;n is currently working on is the concern&mdash;increasingly present in the artistic world&mdash;about the advancement of automation technologies and their impact on creative processes. Many sculptors and artists still face the integration of&hellip;<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/a-reflection-on-art-machine-and-thought\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> A reflection on art, machine, and thought<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6833 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/emperor-sculpture\/\" rel=\"bookmark\">Emperor Sculpture<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>The  history  of  Western  sculpture  recounts  the  relationship  between  man  and  the space  surrounding  him, presenting  this  relationship  in  language  that  expresses consciousness  of  the  figure&rsquo;s  creation.  The  sculptor  is  the  craftsman  of  a  visual artwork realized through a process of delimitation, who puts a bit of space, a piece of the  world,  into  an  enclosure  where  the  materials  that  concretely  occupy  that  space offer  their  skin  to  our  gaze.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/emperor-sculpture\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Emperor Sculpture<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6816 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/6816\/\" rel=\"bookmark\">On the fragment in the sculpture of Javier Mar&iacute;n<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Something rather disturbing affects one&rsquo;s spirit upon entering any space, preferably solemn and immense, impressive and laden with history, where the equally monumental figures of Javier Mar&iacute;n are found, interconnected in accordance with a carefully calibrated dramaturgy. The impression of unity leads one to assume that they came to be there naturally&mdash;that they have always been there&mdash;before that disturbing sensation suggests an ancient order, collapsed and heretofore unknown, conferred by a world just as ancient and no less unknown that has entered into a dialogue with ours.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/6816\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> On the fragment in the sculpture of Javier Mar&iacute;n<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6852 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/javier-marin-sculptor-of-the-bare-life-homo-sacer-the-body-without-organs\/\" rel=\"bookmark\">Javier Mar&iacute;n: Sculptor of the bare life, Homo Sacer, the body without organs<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>A series of texts bearing my signature attest to the fact that for several years I have tried to unravel a mystery: the uniqueness of Javier Mar&iacute;n as a sculptor, the distinctive stamp of his sculptures in the history of the visual arts. In these texts I have asked myself by my own right&mdash;from my eccentric position as a psychoanalystto interrogate works of art that have no need for my disquisitions and even less for my interpretations, for they say on their own what they have to say without outside interference.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/javier-marin-sculptor-of-the-bare-life-homo-sacer-the-body-without-organs\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Javier Mar&iacute;n: Sculptor of the bare life, Homo Sacer, the body without organs<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--3723 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/javier-marin-las-anomalias-de-la-forma\/\" rel=\"bookmark\">Javier Mar&iacute;n: las anomal&iacute;as de la forma<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Toda forma es por perpetraci&oacute;n: es fascinans por una parte y tremendum en la otra cara.<br>\nY mysterium en las dos. Siempre. Nos es totalmente cercana, como la sombra; y ajena, otra y lejana, como el eco. Creada en la vida misma, perturba que crezca en ella y, llegado el momento, desaparezca. Pero lo que m&aacute;s nos anonada es que nunca es el acontecimiento natural mismo.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/javier-marin-las-anomalias-de-la-forma\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Javier Mar&iacute;n: las anomal&iacute;as de la forma<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6841 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/figures-of-the-metamorphosis-and-the-threshold\/\" rel=\"bookmark\">Figures of the Metamorphosis and the Threshold<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Baroque poetics reinstate, reevaluate, and develop the Classical conception of art as mimesis or imitation. Art is indeed representation, but the aim of representation is not merely to present the object transposed onto canvas or to space. It is to impress, to move, to persuade. But to persuade in what manner? Maybe in none at all, since truth and beauty cannot simply be imposed, as can a building, a picture, a film, or a sculpture. In fact, art is the exudation of the imagination.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/figures-of-the-metamorphosis-and-the-threshold\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Figures of the Metamorphosis and the Threshold<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6860 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/the-weakened-body\/\" rel=\"bookmark\">The Weakened Body<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>The contemporary mania to reduce everything to crystal clear, synthetic images for face le circulation &iexcl;n the media has also touched art. We reduce artists to formulas and slogans that, instead of bringing us closer to under-standing the creator&rsquo;s work, distance us from it.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/the-weakened-body\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> The Weakened Body<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6872 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/the-order-of-chaos\/\" rel=\"bookmark\">The order of chaos<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Javier Mar&iacute;n is a well-known Mexican sculptor whose work transcends boundaries. Initiated handling the human figure, of playfull spirit and simple forms, almost schematic, in small dimensions, grew in time, both physically and emotionally, affecting the positions, complicating them.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/the-order-of-chaos\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> The order of chaos<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6866 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/6866\/\" rel=\"bookmark\">Javier Mar&iacute;n I Imagine Myself<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Javier Mar&iacute;n&rsquo;s art is the creation of a virtuoso. Describing his work with such a complicated term involves a multiple discourse&mdash;arguments that are a part of this text. Art, in the first place, is the human possibility of transforming matter into expression.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/6866\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Javier Mar&iacute;n I Imagine Myself<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--3700 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/dibujar-en-tres-dimensiones-2\/\" rel=\"bookmark\">Dibujar en tres dimensiones<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>La obra de Javier Mar&iacute;n despierta curiosidad est&eacute;tica, es compleja en sus referencias a la historia del arte, y constituye un reto para el an&aacute;lisis cr&iacute;tico. Los aspectos formales de sus esculturas &mdash;dise&ntilde;o, composici&oacute;n, uso del medio y del espacio&mdash; son seguros y sofisticados.  Las figuras dominantes y a menudo l&iacute;ricas parecen estar pose&iacute;das por una gracia sin esfuerzo. Sin embargo,  la fuerza y la presencia de estos objetos deja muy claro que su creaci&oacute;n requiere una gran energ&iacute;a, tanto f&iacute;sica como intelectual.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/dibujar-en-tres-dimensiones-2\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Dibujar en tres dimensiones<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--3692 entry--type-post entry--status-publish entry--author-enrique entry--format-standard content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/ecce-homo-la-escultura-de-javier-marin\/\" rel=\"bookmark\">Ecce Homo: La Escultura de Javier Mar&iacute;n<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Autor:&nbsp;Mauricio L&oacute;pez Vald&eacute;s T&iacute;tulo del texto:&nbsp;Ecce Homo: La Escultura de Javier Mar&iacute;n Publicaci&oacute;n:&nbsp; Javier Mar&iacute;n: Barro Proyecto \/ obra: General. 2001 Publicado por:&nbsp;Landucci Editores \/&nbsp;ISBN 968-5059-29-2 Barro, materia como carne con la que, seg&uacute;n diversas cosmogon&iacute;as, los dioses ensayaron su&hellip;<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/ecce-homo-la-escultura-de-javier-marin\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Ecce Homo: La Escultura de Javier Mar&iacute;n<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--6877 entry--type-post entry--status-publish entry--author-enrique entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/the-blissful-of-uneasiness-of-form\/\" rel=\"bookmark\">The Blissful of Uneasiness of Form<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Only through weakness may any metaphysical uneasiness be discovered in Javier Mar&iacute;n, in each one of the forms that he looks for within himself, in his Venuses, his warriors, his torsos and his horses. There is no uneasiness, in the trivial sense that is existential.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/the-blissful-of-uneasiness-of-form\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> The Blissful of Uneasiness of Form<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--2987 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/introduccion-massimiliano-finazzer-flory\/\" rel=\"bookmark\">Introducci&oacute;n &ndash; Massimiliano Finazzer Flory<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Vi &egrave; una strana e suggestiva relazione tra la mostra e la citt&agrave; che la accoglie: riguarda &ldquo;l&rsquo;abitare la distanza&rdquo; tra l&rsquo;oggetto che opera nell&rsquo;arte e l&rsquo;ambiente che lo scruta. Con De 3 en 3, la seconda esposizione nel nostro Paese di Javier Mar&iacute;n, si apre, cos&igrave;, uno spazio concreto, tangibile nella sua (anti?)monumentalit&agrave;, per il dialogo tra le sue opere e i nostri spazi urbani. Un dialogo che conserva radici precise che si collegano<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/introduccion-massimiliano-finazzer-flory\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Introducci&oacute;n &ndash; Massimiliano Finazzer Flory<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--2985 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/sin-titulo-barbara-paci\/\" rel=\"bookmark\">Sin t&iacute;tulo &ndash; Barbara Paci<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>E&rsquo; successo tutto molto in fretta ed al di l&agrave; di ogni pi&ugrave; rosea aspettativa: Javier Marin avr&agrave; la sua consacrazione d&rsquo;artista a Milano, centro nevralgico dell&rsquo;arte contemporanea internazionale, con una mostra incredibile che contaminer&agrave; l&rsquo;intera citt&agrave;.<\/p>\n<p>Abbiamo creduto in lui ciecamente, sia come uomo che come scultore, dirigendo ogni nostro singolo sforzo professionale degli ultimi anni verso quest&rsquo;unico obbiettivo.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/sin-titulo-barbara-paci\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Sin t&iacute;tulo &ndash; Barbara Paci<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--2978 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/al-tempo-misurato-delle-stelle-luis-de-gongora\/\" rel=\"bookmark\">Al tempo misurato delle stelle &ndash; Luis de G&oacute;ngora<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Dove imprimi i tuoi passi<\/p>\n<p>che l&rsquo;orme ad inseguirti pi&ugrave; non trovo?<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/al-tempo-misurato-delle-stelle-luis-de-gongora\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Al tempo misurato delle stelle &ndash; Luis de G&oacute;ngora<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--2050 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/the-body-of-things-imma-turbau\/\" rel=\"bookmark\">The body of things<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>At times we forget that without a body, there would be no soul, or  something akin to a soul. We overlook that talent, in the absence of  instruments, could not exist. We need to be reminded that inanimate  things require physical appearance to make their presence known. All  feelings seek an organ to dwell in: love, in the heart; envy, in teeth;  tenderness, in skin&hellip;<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/the-body-of-things-imma-turbau\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> The body of things<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--2044 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/enigma-and-the-spatial-aurora-norena\/\" rel=\"bookmark\">Enigma and the Spatial<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>Beyond the notoriety of its volumes, the sculptural installation  completed by Javier Mar&iacute;n during the summer 2008 in Pietrasanta (Lucca,  Italy) claims relevance because of its overall conceptualization of the  assembly as a spatial problem and the power of significance that this  implies.<br> For the first time, although perceived and developing from its earliest  attempts to make his human masses interact with the exhibition space  (Sculptures, Espace Pierre Cardin, Paris. 2000-2001) and his scaffolding  with suspended bodies (Javier Mar&iacute;n.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/enigma-and-the-spatial-aurora-norena\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Enigma and the Spatial<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<li class=\"kb-post-list-item\">\n\t<article class=\"entry entry--1648 entry--type-post entry--status-publish entry--author-kasper-2 entry--format-standard has-excerpt content-bg loop-entry\">\n\t\t\t\t<div class=\"entry-content-wrap\">\n\t\t\t<header class=\"entry-header\">\n\t<h2 class=\"entry-title\"><a href=\"https:\/\/javiermarin.com.mx\/en\/elsa-cross-retablo\/\" rel=\"bookmark\">Retablo<\/a><\/h2><\/header><!-- .entry-header -->\n\t<div class=\"entry-summary\">\n\t\t<p>La l&iacute;nea en ascensi&oacute;n multiplicada rompe su  movimiento rectil&iacute;neo en volutas y giros, sus tersos pliegues en furia  arrebatada, su silencio sim&eacute;trico en pasi&oacute;n.<\/p>\n<p>Cada figura emerge como un grito, con gesto incontenible; cada imagen se  yergue distendiendo del pie a la cabeza una visi&oacute;n de fuego, una  a&ntilde;oranza que se agota en la presencia pura que la invade, la cubre, la  sostiene.<\/p>\n\t<\/div><!-- .entry-summary -->\n\t<footer class=\"entry-footer\">\n\t\t\t<div class=\"entry-actions\">\n\t\t\t<p class=\"more-link-wrap\">\n\t\t\t\t<a href=\"https:\/\/javiermarin.com.mx\/en\/elsa-cross-retablo\/\" class=\"post-more-link\">\n\t\t\t\t\tRead More<span class=\"screen-reader-text\"> Retablo<\/span><span class=\"kadence-svg-iconset svg-baseline\"><svg aria-hidden=\"true\" class=\"kadence-svg-icon kadence-arrow-right-alt-svg\" fill=\"currentColor\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"27\" height=\"28\" viewbox=\"0 0 27 28\"><title>Continue<\/title><path d=\"M27 13.953c0 0.141-0.063 0.281-0.156 0.375l-6 5.531c-0.156 0.141-0.359 0.172-0.547 0.094-0.172-0.078-0.297-0.25-0.297-0.453v-3.5h-19.5c-0.281 0-0.5-0.219-0.5-0.5v-3c0-0.281 0.219-0.5 0.5-0.5h19.5v-3.5c0-0.203 0.109-0.375 0.297-0.453s0.391-0.047 0.547 0.078l6 5.469c0.094 0.094 0.156 0.219 0.156 0.359v0z\"><\/path>\n\t\t\t<\/svg><\/span>\t\t\t\t<\/a>\n\t\t\t<\/p>\n\t\t<\/div><!-- .entry-actions -->\n\t\t<\/footer><!-- .entry-footer -->\t\t<\/div>\n\t<\/article>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"mbm-layout":"","cybocfi_hide_featured_image":"","masonry_gallery_enable_secondary_view":true,"masonry_gallery_secondary_view":"lightbox","masonry_gallery_default_view":"masonry","masonry_gallery_slider_enable_slideshow":false,"masonry_gallery_slider_slideshow_delay":4,"masonry_gallery_slider_transition_effect":"slide","hide_page_title":false,"footnotes":""},"class_list":["entry","entry--11727","entry--type-page","entry--status-publish","entry--author-kasper-2"],"_links":{"self":[{"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/pages\/11727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/comments?post=11727"}],"version-history":[{"count":2,"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/pages\/11727\/revisions"}],"predecessor-version":[{"id":11770,"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/pages\/11727\/revisions\/11770"}],"wp:attachment":[{"href":"https:\/\/javiermarin.com.mx\/en\/wp-json\/wp\/v2\/media?parent=11727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}